Art Matters

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Posted on 24th March 2010 by admin in Uncategorized

In recent weeks funding for the Cameron Art Museum has been in the news. Many people have voiced their opinions, some for funding and some against, but a few have gone so far as to question the role of the arts in our community. They say that the arts don’t matter.

Here at the museum we believe that the arts do matter. They inspire us, they enrich our lives and they give us hope for the future. They show us truth and beauty and teach us to strive to find both in our own lives. We can’t imagine our community without art. We wouldn’t want to live in a community without art — or an art museum.

We know that you feel the same way. The Cameron Art Museum has a nearly 50 year legacy thanks to the support of thousand of community members, and now we’re asking for your help again.

We want you to help us make a statement by becoming a member of the Cameron Art Museum. We want to grow our membership to 1000 members and we’ll be running special discounts to make it easier for people of every income — whether starving artist or CEO — to give.

Make your voice heard. Tell them the arts matter to you. Become a member and let’s make a difference together!

Membership Matters. Art Matters.
Cameron Art Museum

Sueyoshi’s Southern Style pottery

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Posted on 17th March 2010 by Brian in Links

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Interesting article about CAM’s resident master potter Hiroshi Sueyoshi from the Washington Times Communities.
Sueyoshi’s Southern Style Pottery

Hiroshi

Creating Our New Exhibit “Recollection: The Past is Present”

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Posted on 5th March 2010 by Daphne in Art News |Programs and Events

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CAM’s newest exhibition Recollection: The Past is Present is currently on view through June 20, 2010.

This exhibition began in the summer of 2008 with the idea of an exhibit by contemporary African American artists and eventually, specifically, female African American artists.  In addition to exploring various artists and their works on line and  suggestions from our director, Deborah Velders, I had the opportunity to visit both the National Black Arts Festival in Atlanta, GA and the National Black Fine Art Show in New York.

Recollection Installation

In the process, it was narrowed to artists that use a considerable amount of texture, color, found and created objects and have a strong, consistent link to thematically referencing the past while their work is rooted in the present day.  The shacks, churches and houses of Beverly Buchanan with her attention to Southern vernacular architectural detail resonates with Amalia Amaki’s highly decorated and encrusted fans, jewelry boxes, pictures—covered with buttons and other materials, objects of which remnants might be found in an old house or church.  Lillian Blades large-scale wall pieces, often embellished with bits and pieces of glass, images of eyes, baskets and other items that remind us of not only Southern but African and Caribbean cultures as well as those embellishments point us to the past, present and future.  Quilts are timeless pieces of family history for so many.  As objects they have moved from purely functional, necessary household items to craft and now with years of exhibitions in art museums across the country to a level of fine art.  Together, the works gives viewers a glimpse into the familiar as well as the unknown while weaving together the myriad aspects which make up African American culture and identity as we know it today, and the ongoing links to the diaspora.

We have had positive response to both the installation and exhibit which includes a fifty minute dvd spotlighting the quilt collective and two of the three artists.  Come by and see for yourself.

Uncovering Matisse

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Posted on 4th March 2010 by Brian in Art News |Links

The first major survey of Matisse’s output during World War I uses cutting-edge technology and old-fashioned connoisseurship to reveal his radical system of scraping, scratching, and repainting
by Hilarie M. Sheets

Uncovering Matisse

20 prints by Henri Matisse from the seminal 1947 portfolio Jazz, were on display at the CAM during Printed In Beauty, an exhibition of prints demonstrating transcultural influences, historic conventions and modern innovations in printmaking, including work by 19th century artists Mary Cassatt and Utagawa Hiroshige.

Henri Matisse (French 1869-1954)
Icare (Icarus), 1947
Portfolio of 20 hand-colored pochoir (Portfolio entitled Jazz)
Collection of Mrs. Samuel Sprunt, Sr.
2006 Succession H. Matisse, Paris / Artists Rights Society (ARS), New York